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HOW CAN WE SHIFT PERSPECTIVES AS A PLATFORM, AS ARTISTS, AS AUDIENCE?
HOW CAN WE SHIFT PERSPECTIVES AS A PLATFORM, AS ARTISTS, AS AUDIENCE?
HOW CAN WE SHIFT PERSPECTIVES AS A PLATFORM, AS ARTISTS, AS AUDIENCE?
HOW CAN WE SHIFT PERSPECTIVES AS A PLATFORM, AS ARTISTS, AS AUDIENCE?
HOW CAN WE SHIFT PERSPECTIVES AS A PLATFORM, AS ARTISTS, AS AUDIENCE?
Mojra Vogelnik Skerlj
Mojra Vogelnik Skerlj
Artist

Mojra Vogelnik Skerlj

Mojra Vogelnik Skerlj comes originally from Slovenia, from a family of architects, painters, puppeteers, musicians, dancers, and gymnasts. She graduated with a degree in architecture and occupies herself with both ‘the ‘moving’ and ‘the ‘still’ arts.
Besides contemporary dance and research classes, sports, and yoga, she was intensively involved with the Brazilian (martial) art/dance/ritual capoeira. She established in Slovenia: ‘Mandinga – an association for Brazilian culture promotion and capoeira’.
In 2008 she met Jasper Džuki Jelen, with whom she collaborates intensively since 2010. They move, create, and teach together researching physical contact in performance, group dynamics, the principles of capoeira, live music, and movement interaction etc.
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Mojra Vogelnik Skerlj comes originally from Slovenia, from a family of architects, painters, puppeteers, musicians, dancers, and gymnasts. She graduated with a degree in architecture and occupies herself with both ‘the ‘moving’ and ‘the ‘still’ arts.
Besides contemporary dance and research classes, sports, and yoga, she was intensively involved with the Brazilian (martial) art/dance/ritual capoeira. She established in Slovenia: ‘Mandinga – an association for Brazilian culture promotion and capoeira’.
In 2008 she met Jasper Džuki Jelen, with whom she collaborates intensively since 2010. They move, create, and teach together researching physical contact in performance, group dynamics, the principles of capoeira, live music, and movement interaction etc.