HOW CAN WE SHIFT PERSPECTIVES AS A PLATFORM, AS ARTISTS, AS AUDIENCE?

HOW CAN WE SHIFT PERSPECTIVES AS A PLATFORM, AS ARTISTS, AS AUDIENCE?

HOW CAN WE SHIFT PERSPECTIVES AS A PLATFORM, AS ARTISTS, AS AUDIENCE?

HOW CAN WE SHIFT PERSPECTIVES AS A PLATFORM, AS ARTISTS, AS AUDIENCE?

HOW CAN WE SHIFT PERSPECTIVES AS A PLATFORM, AS ARTISTS, AS AUDIENCE?

Residencies

Artists benefit greatly from residencies away from their normal surroundings, in a place where good facilities, new input and experienced feedback are available. The residencies are sometimes linked to a (co-)production, a participation project or another DOTE program, but may also form a separate event focused on research and experimentation. These are often organized in collaboration with Dutch or international production houses, theaters and professional companies.

Once a year, BAU and Dancing on the Edge team up to host the BAU AIR DOTE. This residency provides four weeks of time

BAU AIR DOTE Residency Chilean artist of Palestinian origin, Francisca Khamis Giacoman relates the fragmentation of diasporic memories into performances and audio-visual installations. She

Choreographic Storytelling

BAU AIR DOTE Residency During the BAU AIR DOTE residency, Reza Mirabi is deepening his research into what he calls choreographic storytelling. Choreographic storytelling is

Boxes in My Alleys

Boxes in My Alleys is Dancing on the Edge’s newest international exchange project. It is a community art project taking place in the town of

Three Rooms/ثلاث غرف Residency II

For four weeks, Amal Omran, Kathryn Hamilton and Hatem Hadawe continued their work on Three Rooms/ثلاث غرف (formerly known as Personal Empathy Machine) in Amsterdam, Paris,

Personal Empathy Machine Residency I

Personal Empathy Machine has been selected as one of three performances to be part of the European cooperation project Performance(s) between two shores. The