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HOW CAN WE SHIFT PERSPECTIVES AS A PLATFORM, AS ARTISTS, AS AUDIENCE?
HOW CAN WE SHIFT PERSPECTIVES AS A PLATFORM, AS ARTISTS, AS AUDIENCE?
HOW CAN WE SHIFT PERSPECTIVES AS A PLATFORM, AS ARTISTS, AS AUDIENCE?
HOW CAN WE SHIFT PERSPECTIVES AS A PLATFORM, AS ARTISTS, AS AUDIENCE?
HOW CAN WE SHIFT PERSPECTIVES AS A PLATFORM, AS ARTISTS, AS AUDIENCE?
  • Co-Productions
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Dancing on the Edge has produced and coproduced a range of successful performances and work over the years that have been presented at the festival and toured in Europe, the WANA region and the wider world.

Mind, The Gap

A visual lecture-performance on the reception and consumption of contemporary images In Mind, The Gap, Hani Sami intertwines performance, theoretical musings and visual projections.

Transaction

(SYRIA/FRANCE) How can the un-representable be represented? After the successful and well-received Displacement (2016), Mithkal Alzghair presents his newest work: a meditation on the

Plastic

Physical performance about a generation of young men stuck between expectations and reality WORLD PREMIERE Plastic is a physical theater performance about young men

Money Rules the World

Is everything, everything, even my love for you, a transaction? WORLD PREMIERE Are love, feelings, and even bodies, tokens of exchange that can be

Concerto 13 / 2nd Movement

This co-production was a special collaboration between Maqamat Dance Theatre (Lebanon), Grand Theatre (Groningen, The Netherlands) and Dancing on the Edge (The Netherlands). During

The Assassination of Omar Rajeh

This international co-production with Maqamat Dance Theatre was about the significance of the written word in Arab society, and the dangers of expressing dissenting

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